I Have a Question
I Have A Question: 1970s Givenchy Haute Couture Gown
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SIZE GUIDE
Please review all measurements carefully. More often than not, vintage garments do not fit any size category exactly. If in doubt, measure a garment of your own that fits and is a similar cut and compare it's measurements to the listed measurements below.
givenchy
Late 1970s Possible Givenchy Black Silk Taffeta Haute Couture Dress w Sequin & Rhinestone Detailing
I Have a Question
I Have A Question: Late 1970s Possible Givenchy Black Silk Taffeta Haute Couture Dress w Sequin & Rhinestone Detailing
This is an incredible Haute Couture dress that came to me unlabeled. After some research and feedback from my client I think this may be a Givenchy or a Givenchy copy. I have a Givenchy in my own archives from his demi-couture boutique label from this same time period and the construction of the sleeves and the overall lines of the dress are remarkably similar other then the fact that this dress was entirely made by hand. Given the client's overall wardrobe and love of couture combined with the level of workmanship in the dress it is not a stretch. It could also be another of her Ady Couture piece as well. Ady Couture was based out of Lausanne Switzerland. She would buy couture fabrics from the couture houses along with the patterns and with permission make copies of the piece presented in the Haute Couture collections. When she was younger, and lived in Amsterdam, Ady would attend the private viewing and purchase directly from the couture houses. My client believes that her arrangement with the ateliers was a way to work around customs that prompted Ady to negotiate this arrangement with the ateliers. In my hunt for more information I have been able to verify that they made this permissible copies of the work of Yves Saint Laurent, Christian Dior, Givenchy and Ungaro. There may have been others but this are the four houses I am confident on. It is priced as an Ady piece and the context that it would have with that label. The dress is completely made by hand to Haute Couture standards and it is incredible.
The dress is made from a black silk taffeta and this fabric choice allows it to hold the almost sculptural lines that you see. It is absolutely beautiful and a testament to the level of design that you only see in couture pieces. At the front the neckline dips into a V and the dress is vertically seamed to follow and curve over the body. The sleeves are a work of art. Each is made on a curve to follow the shape of the arm They are set into the shoulders with a beautiful series of soft pleats so that you get a bit of volume there. They then taper down to the cuffs where they zip to close around the wrist. At the back the dress is cut into a second V that is lower then the one at the front so that you get a bare expanse of skin. The waist is set to curve in at the front for a suggestion of shape but at the back is is cut so that the low waist and the top of the skirt lifts off and away from the body for more of a sense of volume. The skirt at the front is cut on a bell and curves gracefully away from the hips. At the back it is fuller and cut to fall longer then the front. Underneath is an interior skirt that is edged in a ruffle of black silk netting so that when you move you see just a peek of that from under the top skirt. At the top of the inner underskirt are layers of silk that help to hold the shape at the hips. Otherwise all of the volume is created but the cut and the fabric alone. The perfect final detail is the series of dots that you see scattered over the sleeves and bodice of the dress. These run past the waist and circle the upper portion of the skirt. They are various sizes and some are made from circles of tiny silver sequins while others are a iridescent pale blue sequin. The blue ones catch the light and range from silver to an ice blue. It's incredible. There are also some that are made from the finest little crystal beads. Inside the dress is completely finished to couture standards with every seam hand finished. I have taken some detail shots for you to see the fine workmanship inside. It is an incredible piece and just beautifully made. It appears to have been worn very little if at all. Excellent condition
The bodice is unlined and the skirt is fully lined with a built in underskirt in a black silk taffeta. Built in paniers around the hip area that I have photoed for you. It closes with a back fine zipper and the skirt snaps into place with silk covered snaps over it. Hidden set zippers at each wrist. Hand finished throughout. It appears to have been worn very little if at all. There may be the occasional sequin or crystal missing on the dots but no bare spots. Made to Haute Couture standards with a tremendous amount of detail put into its construction.
Sleeves: 24"
Slightly inset shoulders: 14"
Bust: to 18" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: open
Length: 58" from top of shoulder to front hem, 60" to the back hem
Modern Sizing Equivalent: SML-MED
Item# DD3677
This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.
I Have a Question
I Have A Question: 1970s Givenchy Haute Couture Metallic Dot, Silk & Mink Dress
This Givenchy Haute Couture dress is as chic and wearable now as it was when first made. It is entirely finished by hand and would have been made under the direct supervision of Hubert de Givenchy himself. Haute Couture is the very pinnacle of the fashion experience and this is a wonderful example of his work.
The dress is a stunning affair made of a brown silk chiffon that has dots covering its surface. Each dot is made form a metallic lame thread woven through the silk and these vary in color from gold, to silver to copper. This gives the dress a beautiful glow in the light as you move. The construction details are wonderful. The bodice has been pleated by hand to create a series of vertical pleats that run down the center of the dress at the front and the back. On the sides of the dress the fabric is left unpleated and this small detail adds tremendous texture to the dress. The shape is loose and easy so it can be worn by almost any body type. You could also add a belt to change the shape if you wished. It falls to the hem in a column of light silk. The sleeves are soft and full above their buttoned cuffs and the collar is accented with a squared off mink fur collar. No shortcut was taken in the construction and it is a stand out piece. Proper Haute Couture label and numbered tape. Excellent condition.
The dress is lined in a hand set brown silk with the sleeves unlined. It closes on the interior silk lining with a hidden hand set, painted metal zipper that is hidden under the edge of the pleats at the back. The sleeves button to close. Finished to Haute Couture standards and entirely done by hand. Haute Couture tape label #59349
Sleeves: approx 25-26" but there is no set shoulder seam
Shoulders: approx 15" but there is no set shoulder seam
Bust: to 17" flat across from side seam to side seam
Inner lining waist: to 17" flat across from side seam to side seam
Inner lining hips: to 21" flat across from side seam to side seam
Length: 51" from top of shoulder to hem
Modern Sizing Equivalent: XS-SML, maybe a MED if the bust works
Item# DD2936
I have a small collection of historically important, key designer labelled vintage furs, fur trimmed & feather pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. All fur coats, fur trimmed & feather pieces are final sale
This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.
givenchy
Late 1970s Possible Givenchy Black Silk Taffeta Haute Couture Dress w Sequin & Rhinestone Detailing
I Have a Question
I Have A Question: Late 1970s Possible Givenchy Black Silk Taffeta Haute Couture Dress w Sequin & Rhinestone Detailing
This is an incredible Haute Couture dress that came to me unlabeled. After some research and feedback from my client I think this may be a Givenchy or a Givenchy copy. I have a Givenchy in my own archives from his demi-couture boutique label from this same time period and the construction of the sleeves and the overall lines of the dress are remarkably similar other then the fact that this dress was entirely made by hand. Given the client's overall wardrobe and love of couture combined with the level of workmanship in the dress it is not a stretch. It could also be another of her Ady Couture piece as well. Ady Couture was based out of Lausanne Switzerland. She would buy couture fabrics from the couture houses along with the patterns and with permission make copies of the piece presented in the Haute Couture collections. When she was younger, and lived in Amsterdam, Ady would attend the private viewing and purchase directly from the couture houses. My client believes that her arrangement with the ateliers was a way to work around customs that prompted Ady to negotiate this arrangement with the ateliers. In my hunt for more information I have been able to verify that they made this permissible copies of the work of Yves Saint Laurent, Christian Dior, Givenchy and Ungaro. There may have been others but this are the four houses I am confident on. It is priced as an Ady piece and the context that it would have with that label. The dress is completely made by hand to Haute Couture standards and it is incredible.
The dress is made from a black silk taffeta and this fabric choice allows it to hold the almost sculptural lines that you see. It is absolutely beautiful and a testament to the level of design that you only see in couture pieces. At the front the neckline dips into a V and the dress is vertically seamed to follow and curve over the body. The sleeves are a work of art. Each is made on a curve to follow the shape of the arm They are set into the shoulders with a beautiful series of soft pleats so that you get a bit of volume there. They then taper down to the cuffs where they zip to close around the wrist. At the back the dress is cut into a second V that is lower then the one at the front so that you get a bare expanse of skin. The waist is set to curve in at the front for a suggestion of shape but at the back is is cut so that the low waist and the top of the skirt lifts off and away from the body for more of a sense of volume. The skirt at the front is cut on a bell and curves gracefully away from the hips. At the back it is fuller and cut to fall longer then the front. Underneath is an interior skirt that is edged in a ruffle of black silk netting so that when you move you see just a peek of that from under the top skirt. At the top of the inner underskirt are layers of silk that help to hold the shape at the hips. Otherwise all of the volume is created but the cut and the fabric alone. The perfect final detail is the series of dots that you see scattered over the sleeves and bodice of the dress. These run past the waist and circle the upper portion of the skirt. They are various sizes and some are made from circles of tiny silver sequins while others are a iridescent pale blue sequin. The blue ones catch the light and range from silver to an ice blue. It's incredible. There are also some that are made from the finest little crystal beads. Inside the dress is completely finished to couture standards with every seam hand finished. I have taken some detail shots for you to see the fine workmanship inside. It is an incredible piece and just beautifully made. It appears to have been worn very little if at all. Excellent condition
The bodice is unlined and the skirt is fully lined with a built in underskirt in a black silk taffeta. Built in paniers around the hip area that I have photoed for you. It closes with a back fine zipper and the skirt snaps into place with silk covered snaps over it. Hidden set zippers at each wrist. Hand finished throughout. It appears to have been worn very little if at all. There may be the occasional sequin or crystal missing on the dots but no bare spots. Made to Haute Couture standards with a tremendous amount of detail put into its construction.
Sleeves: 24"
Slightly inset shoulders: 14"
Bust: to 18" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: open
Length: 58" from top of shoulder to front hem, 60" to the back hem
Modern Sizing Equivalent: SML-MED
Item# DD3677
This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.
I Have a Question
I Have A Question: 1970s Givenchy Haute Couture Metallic Dot, Silk & Mink Dress
This Givenchy Haute Couture dress is as chic and wearable now as it was when first made. It is entirely finished by hand and would have been made under the direct supervision of Hubert de Givenchy himself. Haute Couture is the very pinnacle of the fashion experience and this is a wonderful example of his work.
The dress is a stunning affair made of a brown silk chiffon that has dots covering its surface. Each dot is made form a metallic lame thread woven through the silk and these vary in color from gold, to silver to copper. This gives the dress a beautiful glow in the light as you move. The construction details are wonderful. The bodice has been pleated by hand to create a series of vertical pleats that run down the center of the dress at the front and the back. On the sides of the dress the fabric is left unpleated and this small detail adds tremendous texture to the dress. The shape is loose and easy so it can be worn by almost any body type. You could also add a belt to change the shape if you wished. It falls to the hem in a column of light silk. The sleeves are soft and full above their buttoned cuffs and the collar is accented with a squared off mink fur collar. No shortcut was taken in the construction and it is a stand out piece. Proper Haute Couture label and numbered tape. Excellent condition.
The dress is lined in a hand set brown silk with the sleeves unlined. It closes on the interior silk lining with a hidden hand set, painted metal zipper that is hidden under the edge of the pleats at the back. The sleeves button to close. Finished to Haute Couture standards and entirely done by hand. Haute Couture tape label #59349
Sleeves: approx 25-26" but there is no set shoulder seam
Shoulders: approx 15" but there is no set shoulder seam
Bust: to 17" flat across from side seam to side seam
Inner lining waist: to 17" flat across from side seam to side seam
Inner lining hips: to 21" flat across from side seam to side seam
Length: 51" from top of shoulder to hem
Modern Sizing Equivalent: XS-SML, maybe a MED if the bust works
Item# DD2936
I have a small collection of historically important, key designer labelled vintage furs, fur trimmed & feather pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. All fur coats, fur trimmed & feather pieces are final sale
This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.