• The twin of the dress was presented as Look 40 for the Fall 2016 Rodarte collection.
• It was made under the creative direction of Kate and Laura Mulleavy.
  
• 2016 marked the 10th anniversary of the label and in Vogue's coverage of the show they noted that "The best Rodarte collections - and this was surely one - come across like manifested daydreams. Lots of designers like to talk about tapping into the fantasy element of fashion, but Kate and Laura are perhaps the only ones whose clothes summon the ludic sensibility of kids playing dress up. The demented level of embellishment which here included ruffled leather, hand, cut floral paillettes, and mesh, and lace sequined and watery patterns, recalls a child's take on glamour with every available fancy piled on. That the Mulleavys manage the muchness with such grace is something of a miracle.... the hand craftsmanship, the romance, the touch of the macabre - those qualities were present in Rodarte a decade ago, and they are communicated as clearly now as they ever were."
  
• There is a lot of hand work in the dress and it is a part of the collections where they were doing a lot of the work in-house and the pieces were not so mass produced as they are now. The pricing for pieces during this era were also extraordinarily higher than what they currently can be, with the then pricing being up to and over the 20k mark.
• I love how heavily influenced by the 1930s and 1940s that this dress is. It has a decidedly vintage feel to its cut.
• The dress combines bias cut silk and netting with a fine lace that is laid out softly over the body but in a way that still gives soft structure. There are lot so beautiful added hand cut details, beads and appliqué.
• As good as it looks on the dress form, I am glad that we have so many reference photos so you can see how beautiful it is once it transforms onto an actual body.
• A ruffle of lace and netting highlight the wide set neckline. Small panels of netting drape softly down from each shoulder and are set more towards  the back. These are detailed with hand cut outs and beads. At the back there is a small V for a touch of skin to show.
• I love how the inner dress creates that dramatic cut out effect that sits underneath the top layer of lace at the front. It really makes the dress feel dynamic and special and adds a subtle bit of sexiness.
• The dress glides over the waist and then curves back over the hips. There are more hand applied, hand done cut out appliques and netted beading details on one hip for added detail.
• The skirt is phenomenal. The skirt is split on one side right up to the flower at the hip. The inner part of the skirt is made out of a matching ivory silk that has a layer of soft tulle underneath so you get all of these layers around the slit that help to cover how high it is but still allowing it to open.
• A hand made rosette sits at top of the slit and then on the other hip there is another matching rosette. An inset panel made of netting that has two more handmade handset flower cuts added to it as it trails from under that rosette down to the hem. 
• The topmost layer over all of this is a beautiful soft ivory lace that is just magical. I love how the ivory of the lace is offset by the more white leaf cut outs that are on the little cap sleeves and at the waist.
• The final perfect touch is a band of tightly gathered ruffled lace that goes all the way around the hem. There are yards and yards of fabric in the lower skirt.
• I think this is one of the most beautiful dresses that the duo have made throughout their entire career. 
• The dress is fully lined in a combination of the netting and the ivory silk and nylon netting. It closes with a hidden setback zipper. It was never worn and all of the applique work is done by hand and set onto the dress by hand. There is an amazing amount of hand work in the dress. There is one small break in the netting on the innermost layer that does not show. It was never worn and is otherwise pristine. The colour is perhaps the tiniest bit more ivory than how it photographed.
• Tagged a modern Rodarte 6
• Excellent condition

Bust: 15-16.5" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: open
Total length: 64" from top of shoulder to hem and the slit is 42" up from the hem.

Modern Sizing Equivalent: XS-SML

Item# DD5572

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

Reference Photos/Video: Fall 2016 Rodarte, Look 40.

• The twin of the dress was presented as Look 20 in the Spring 2021 Rodarte collection.
• It was made under the creative direction of Kate and Laura Mulleavy.
• “Everything we do is about fantasy and dreams, but we are located in a moment, and we are a part of what is happening now,” said Kate. A fanciful gown, both designers agree, has little place in today’s world, so instead they channeled their efforts into clothing they would want to wear now “without distilling the ideas".... Vogue continued their review by noting that the floral story continues in the 1940s dresses they played with last season, now relaxed in shape with prints that radiate from the navel or appear in handkerchief-like grids.
• Its twin was worn by Anya Taylor Joy to the Venice Film Festival that year and Liz Gillies also wore one while in character for Dynasty. 
• The dress is absolutely exquisite and really showcases the charm that the Rodarte collections have and why people love collecting them.
• With its pretty combination of white, pink and red this might also make a fantastic dress for a bride for one of her events around her ceremony.
• The dress is made out of the perfect white and pink bias cut silk that is a beautifully light in weight. It is very soft and supple and the bias cut lets it glide over your curves once it is on. 
• Onto the white and pink base is a gorgeous print that features tiny pink flowers ad black bows nestled among green leaves and dots. These are set in large medallions that cover the entire dress.
• Tiny black silk straps curve up and over the shoulders. The front dips into a shallow V and the back also dips into a V that is set lower for a bare expanse of skin to show above.
• The bias cut lets the dress skim over your bust, waist and hips to fall to the floor. It flares out prettily at the hem and this give it beautiful movement when you walk.
  
• A little silk flower in a pretty pink sits at the base of the V of the front. The flower is detachable so you can move it to where it sits on you best.
• The dress is unlined and slips on to wear with no closures. The flower pins into place and is also labelled at the back. The dress is in its original uncut length. I see a tiny bit of grubbiness near the hem in a tiny hole near the seam at the back of the hem. It doesn't look like the dress was ever worn otherwise so this is probably from improper storage. Please see the photo after the label shot. The bias cut allows for some give so I have put the comfortable range while lying flat below. The length may come up a bit because of the bias cut once it is on the body.
• Tagged a modern Rodarte 
• Excellent condition

Bust: 14-17" flat across from side seam to side seam
Waist: 13-16" flat across from side seam to side seam
Hips: 17-21.5" flat across from side seam to side seam
Total length: 66" from top of the shoulder strap to hem

Modern Sizing Equivalent: XS-SML

Item# DD5276

Reference Photos: (1) Spring 2021 Rodarte, Look 24.  /  (2-4) Anya Taylor Joy at the Venice Film Festival, September 2021.  /  (5) Elizabeth Gillies in the show Dynasty, 2021.  /  (6) Model in Rodarte photographed by Kourtney Kyung Smith.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of the dress was presented as Look 40 for the Fall 2016 Rodarte collection.
• It was made under the creative direction of Kate and Laura Mulleavy.
  
• 2016 marked the 10th anniversary of the label and in Vogue's coverage of the show they noted that "The best Rodarte collections - and this was surely one - come across like manifested daydreams. Lots of designers like to talk about tapping into the fantasy element of fashion, but Kate and Laura are perhaps the only ones whose clothes summon the ludic sensibility of kids playing dress up. The demented level of embellishment which here included ruffled leather, hand, cut floral paillettes, and mesh, and lace sequined and watery patterns, recalls a child's take on glamour with every available fancy piled on. That the Mulleavys manage the muchness with such grace is something of a miracle.... the hand craftsmanship, the romance, the touch of the macabre - those qualities were present in Rodarte a decade ago, and they are communicated as clearly now as they ever were."
  
• There is a lot of hand work in the dress and it is a part of the collections where they were doing a lot of the work in-house and the pieces were not so mass produced as they are now. The pricing for pieces during this era were also extraordinarily higher than what they currently can be, with the then pricing being up to and over the 20k mark.
• I love how heavily influenced by the 1930s and 1940s that this dress is. It has a decidedly vintage feel to its cut.
• The dress combines bias cut silk and netting with a fine lace that is laid out softly over the body but in a way that still gives soft structure. There are lot so beautiful added hand cut details, beads and appliqué.
• As good as it looks on the dress form, I am glad that we have so many reference photos so you can see how beautiful it is once it transforms onto an actual body.
• A ruffle of lace and netting highlight the wide set neckline. Small panels of netting drape softly down from each shoulder and are set more towards  the back. These are detailed with hand cut outs and beads. At the back there is a small V for a touch of skin to show.
• I love how the inner dress creates that dramatic cut out effect that sits underneath the top layer of lace at the front. It really makes the dress feel dynamic and special and adds a subtle bit of sexiness.
• The dress glides over the waist and then curves back over the hips. There are more hand applied, hand done cut out appliques and netted beading details on one hip for added detail.
• The skirt is phenomenal. The skirt is split on one side right up to the flower at the hip. The inner part of the skirt is made out of a matching ivory silk that has a layer of soft tulle underneath so you get all of these layers around the slit that help to cover how high it is but still allowing it to open.
• A hand made rosette sits at top of the slit and then on the other hip there is another matching rosette. An inset panel made of netting that has two more handmade handset flower cuts added to it as it trails from under that rosette down to the hem. 
• The topmost layer over all of this is a beautiful soft ivory lace that is just magical. I love how the ivory of the lace is offset by the more white leaf cut outs that are on the little cap sleeves and at the waist.
• The final perfect touch is a band of tightly gathered ruffled lace that goes all the way around the hem. There are yards and yards of fabric in the lower skirt.
• I think this is one of the most beautiful dresses that the duo have made throughout their entire career. 
• The dress is fully lined in a combination of the netting and the ivory silk and nylon netting. It closes with a hidden setback zipper. It was never worn and all of the applique work is done by hand and set onto the dress by hand. There is an amazing amount of hand work in the dress. There is one small break in the netting on the innermost layer that does not show. It was never worn and is otherwise pristine. The colour is perhaps the tiniest bit more ivory than how it photographed.
• Tagged a modern Rodarte 6
• Excellent condition

Bust: 15-16.5" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: open
Total length: 64" from top of shoulder to hem and the slit is 42" up from the hem.

Modern Sizing Equivalent: XS-SML

Item# DD5572

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

Reference Photos/Video: Fall 2016 Rodarte, Look 40.

• The twin of the dress was presented as Look 20 in the Spring 2021 Rodarte collection.
• It was made under the creative direction of Kate and Laura Mulleavy.
• “Everything we do is about fantasy and dreams, but we are located in a moment, and we are a part of what is happening now,” said Kate. A fanciful gown, both designers agree, has little place in today’s world, so instead they channeled their efforts into clothing they would want to wear now “without distilling the ideas".... Vogue continued their review by noting that the floral story continues in the 1940s dresses they played with last season, now relaxed in shape with prints that radiate from the navel or appear in handkerchief-like grids.
• Its twin was worn by Anya Taylor Joy to the Venice Film Festival that year and Liz Gillies also wore one while in character for Dynasty. 
• The dress is absolutely exquisite and really showcases the charm that the Rodarte collections have and why people love collecting them.
• With its pretty combination of white, pink and red this might also make a fantastic dress for a bride for one of her events around her ceremony.
• The dress is made out of the perfect white and pink bias cut silk that is a beautifully light in weight. It is very soft and supple and the bias cut lets it glide over your curves once it is on. 
• Onto the white and pink base is a gorgeous print that features tiny pink flowers ad black bows nestled among green leaves and dots. These are set in large medallions that cover the entire dress.
• Tiny black silk straps curve up and over the shoulders. The front dips into a shallow V and the back also dips into a V that is set lower for a bare expanse of skin to show above.
• The bias cut lets the dress skim over your bust, waist and hips to fall to the floor. It flares out prettily at the hem and this give it beautiful movement when you walk.
  
• A little silk flower in a pretty pink sits at the base of the V of the front. The flower is detachable so you can move it to where it sits on you best.
• The dress is unlined and slips on to wear with no closures. The flower pins into place and is also labelled at the back. The dress is in its original uncut length. I see a tiny bit of grubbiness near the hem in a tiny hole near the seam at the back of the hem. It doesn't look like the dress was ever worn otherwise so this is probably from improper storage. Please see the photo after the label shot. The bias cut allows for some give so I have put the comfortable range while lying flat below. The length may come up a bit because of the bias cut once it is on the body.
• Tagged a modern Rodarte 
• Excellent condition

Bust: 14-17" flat across from side seam to side seam
Waist: 13-16" flat across from side seam to side seam
Hips: 17-21.5" flat across from side seam to side seam
Total length: 66" from top of the shoulder strap to hem

Modern Sizing Equivalent: XS-SML

Item# DD5276

Reference Photos: (1) Spring 2021 Rodarte, Look 24.  /  (2-4) Anya Taylor Joy at the Venice Film Festival, September 2021.  /  (5) Elizabeth Gillies in the show Dynasty, 2021.  /  (6) Model in Rodarte photographed by Kourtney Kyung Smith.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.