• The twin of this dress walked the runway as Look 54 for the Fall 2001 Versace show.
• It was made under the creative direction of Donatella Versace.
• In the show notes, Donatella said "above all a woman must dress to please herself". In the book Versace Catwalk they noted that the collection "evoked a hedonistic pop culture moment – late 1970s? Early 1980s? – that was picked up throughout the collection and expanded upon by Steven Mizell when he photographed the advertising campaign in the Playboy mansion."
• Vogue stated that many of the looks played on what she had just done in her Couture collection "fitted hips and corseted waist lines were all the core of her collection"
• This dress was shown with a wide heavy belt on the runway and I actually think it is better without one.
• The dress is made out of a soft sueded feeling bias cut silk with extensive seamwork. Top stitching details the seams and the entire back panel of the dress, all a heavy nod to the 1920s and 1930s.
• At the front the dress comes down into a V and I love how the seam extends out from that V and falls on an angle to the side of the waist. The bias cut allows the dress to skim loosely over you in the most perfect way.
• When the dress is worn without a belt it has shaped from how the back is constructed but has a more skimming and easy feel as it falls over the waist. More of the seamwork defines the angle panels that create the dress from under the bust to past the hips.
• The dress curves out and over the hips and then it is brought in slightly by the final angled seam set just above the lower skirts.
• The skirt is phenomenal. It widens out substantially and on one side there is a curved inset panel that adds even more volume. This gives it tremendous movement and volume when you move.
• The back panel is phenomenal. This is where the dress really stands out. The sides of the front curve around and down into the low back and then the shaped panel falls over your back and into the top of the hip.
• The panel is extensively top stitched which adds structure and shape to it. It is incredibly sexy.
• I think this dress is absolutely phenomenal.
• The dress is fully lined in a second, fully stitched inner layer of the same silk and it backs the entire dress. It closes with a hidden set zipper that runs along a side seam at the back. Some small areas here in there in the fabric have faded slightly. This gives it a slightly antique feel. I see a very faint mark on the back hip near the side and some slight loosening of the stitches in one spot. Please see the photos after the label. It is perfectly wearable as is and priced accordingly.
• Labelled a vintage Versace 40
• Great condition

Bust: 16-18" flat across from side seam to side seam
Waist: 13-14.5" flat across from side seam to side seam
Hips: 17-19" flat across from side seam to side seam
Total length: 63" from top of shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD5402

Reference Photos/Video: Fall 2001 Versace, Look 54. Model Hannelore Knuts.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a fabulous dress from the late 1990s Versace.
• It was made under the creative direction of Gianni Versace.
• The dress is very sexy with its cut out and made of a stretch fabric that hugs and shapes the body. All signatures of Versace from this time period.
• The colour is a bright chartreuse that is just an exceptional and unusual colour.
• There is light padding in each shoulder and this holds the dress and gives it a tapered feel to the waist.
• It skims over the body and then is gathered into one side at the waist. The other side has been left open with a cut out that exposes your bare skin. It is meant to drape down on the top of one hip. This open cut out continues from there to wrap around to the opposite side the back extending out the opening.
• Under the cut out on the hip the fabric has been gathered in on that side for added detailing. 
• The skirt falls from that point and narrows down as it reaches the hem.
• On the same side as the waist cut out there is a high slit that starts from the bottom of the gathering on the hip to the hem. This allows a mile of bare leg to show when you walk and move.
• A small gather of the fabric sits on the opposite side to that placed several inches above the hem.
• All of these gatherings and cut outs give it a really sculptural feel around the body.
• It is fully lined in a more matte version of the same stretch material. The fabric has stretch and the measurement below are the comfortable range when the dress is laying flat. It has no closures and slips on to wear.
• Tagged a vintage Versace 38
• Excellent condition

Bust: 16.5-19" flat across from side seam to side seam
Waist: 12-15" flat across from side seam to side seam
Hips: 16-19.5" flat across from side seam to side seam
Bodice: 13" from top of shoulder to waist
Total length: 56.5" from waist to hem
Slit: 33" but wraps over itself near the top

Modern Sizing Equivalent: XS-SML

Item# DD5386

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress dates to the late 1990s-early 2000s time period of the Versace label.
• It was made under the creative direction of Gianni Versace.
• The dress is made out of of a fabulous metallic silver stretch lame that makes it incredibly easy to wear and fit.
• On the bodice wide panels curve up and over the shoulders. The shoulders are cut wide and sloped so that they sit slightly off the shoulder. There is a bit of padding underneath to hold the shape correctly on your shoulder.
• The front plunges all the way down to the waist. I love how the way the bodice is constructed. It looks like it has all been flung over your shoulders and ties into place at the waist. It looks effortless but this is actually all achieved by the way it is seamed and set.
• Where it meets at the front there is attached tie that loops over itself to create the suggestion of a knot and then that falls all the way down the front.
• The skirt curves out over the hips and the entire upper portion of the skirt at the front has been gathered into the centre seam. From the hem up to the base of all of the gathers is a high slit that allows a flash of leg when you walk or move.
• The silver catches the light from every angle to give it a liquid affect over the body and the stretch of the fabric makes it very comfortable, easy to wear and fit.
• The dress is unlined and slips on with an elastic waist. There is light padding in each shoulder. The stretch should allow it to fit ranger sizes. It appears to have been worn very little if at all.
• Tagged a vintage Versace 40
• Excellent condition

Bust: 15-19" flat across from side seam to side seam
Waist: 11-17" flat across from side seam to side seam
Hips: 16-21" flat across from side seam to side seam
Bodice: 13" from top of shoulder to waist
Total length: 54" from top of shoulder to hem
Slit: 20" from hem up

Modern Sizing Equivalent: XS-MED

Item# DD5369

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is an absolutely fantastic and ultra rare piece from the Spring 1993 Versace collection.
• It was made under the creative direction of Gianni Versace.
• Similar pieces was seen on the runway worn by Linda Evangelista, versions were shot for Italian Vogue and used for various editorials that season.
• This collection was an homage to South Beach, a place that Gianni absolutely loved. In 1991 he bought Casa Casuarina, a mansion on Ocean Drive. Two years and $30 million later it was a lavish palazzo. But before that completed, he created this spring 1993 show as a love letter to South Beach. Little Havana was referenced in the amazing bell bottom pieces and floral printed silks, both of which are found on this jumpsuit. 
• The jumpsuit is made out of a black and white floral printed silk that has a beautifully soft finish to it which makes it very comfortable and easy to wear once on the body.
• A wide 5" band of the floral printed silk is mixed with a second ruffle made out of a black and white dotted silk. This gorgeous double layer of ruffles circles around the shoulders with a silk covered elastic band that lets it sit perfectly in place on you. I I love the bare expanse of skin this leaves showing across the top of the shoulders. As good as it looks on the dress form it will be even better once it is on a body.
• The body of the jumpsuit skims over you and its cut is shaped to follow your curves. Depending on your preference and size, it can be worn super fitted or have more of a skimming feel over you.
• All of the shape over the bust, waist and hips is created by long vertical seaming. The waist curves to come in for shape and then the silk curves back out over the hips.
• The pants are phenomenal. Each one has a fairly straight leg to about the knee. At that point there is a curving seam that wraps around the waist and into that the bottom of the pant leg has been added. The fabric is done in an extra full flare to create that fantastic bell bottom that you see. It is made out of two layers of silk. There is an inner dotted layer that extends out past the hem and then the floral printed layer over that. When you lay it out each bell bottom is a full 52" all the way around. I love how the dotted fabric peeks out from below the hem and ties the dotted fabric on the ruffle around the shoulders together perfectly.
• The extreme bell shape of the lower pant legs creates phenomenal movement when you move but because the silk fabric is so light and fine they have the perfect amount of fullness when you stand still.
• The jumpsuit is unlined and closes with a back zipper. It appears to have been worn very little if at all.
• Tagged a vintage Versace 40
• Excellent condition

Elastic shoulders: 19-23" flat across side to side
Bust: 16-18" flat across from side seam to side seam
Waist: 13-14" flat across from side seam to side seam
Hips: 18-19" flat across from side seam to side seam
Total length: 60.5" from top of natural shoulder to hem
Inseam: 29" 
Gusset: 27" from the top of the zipper to inner seam

Modern Sizing Equivalent: XS-MED

Item# DD5314

Reference Photos/Video: (1-3) Linda Evangelista for Versace, Spring 1993.  /  (4) Spring 1993 Versace. Model Angelika Kallio.  /  (5) Backstage at Versace, 1993.  /  (6) Photo by Steven Meisel for Vogue Italia March 1993.  /  (7-8) From the book "Versace: Catwalk".

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is an absolutely fantastic and very rare piece whose twin walked the Spring 1993 Versace runway.
• It was made under the creative direction of Gianni Versace
• Besides being prominently featured on the runway, it was featured in editorials for the Versace lookbook.
• This collection was an homage to South Beach, a place that Gianni absolutely loved. In 1991 he bought Casa Casuarina, a mansion on Ocean Drive. Two years and $30 million later it was a lavish palazzo, but before that was completed, he created this Spring 1993 show as a love letter to South Beach. Little Havana was referenced in the amazing floral printed silks that we see on this piece.
• On the runway, this was worn over a printed bell bottom pant in a contrasting floral print. In real life, you could certainly re-create that look or pair it with something simpler to let the vest shine on its own. It would look equally as good topping any length skirt, a pant, and you could even go very daring and wear something far more bare underneath.
• The vest is made out of a printed silk that mixes a solid black for the collar and lining. Black silk is also used for the properly finished button holes and the silk covered buttons at the front. It has a slightly softened feel to it that gives it a bit of a washed cast. This is intentional and carries through the entire piece where the black silk has been used.
• The rest of the vest has a brilliant oversized floral print running over it that is spectacular. It mixes all the primary colours and covers the entire piece. I love how the back panel of the vest is a different floral panel pattern for contrast.
• The shawl collar curves down low to the waist and then the vest closes with a double set of silk covered buttons across the front. Long floral covered tails fall around the side of the hip and down the front. These will end around or past the knee depending on your height.
• At the back, seams curve inwards to add shape through the waist and there is a fabric half belt that you use to cinch in and add more shape. The belt buckle and added embellishment on the belt are amazing. They are made out of a gold toned metal with the tops of each piece finished in a red, hand poured enamel. There are two curving pieces, one that secures the belt once buckled and the other to finish the end of the belt strap. Three more straight pieces sit on either side of that for added decoration. It is a very decadent and beautiful extra touch of detail.
• This is an iconic and highly collectible piece of Versace history. That is an easy piece to incorporate some vintage into your existing wardrobe.
• The vest is fully lined in a black silk and closes with the two front buttons that have properly finished button holes. As noted above, the black silk portion of the vest has a slight washed feel to its finish that appears intentional. It does have a fabric and size tag, but it is faded and you can no longer read what size it is.
• The size tag has faded so please go buy the measurements listed below
• Excellent condition

Bust: 16-18" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: approx 19" flat across from side seam to side seam but because the tails open at the front, there is some wiggle room and it should fit a little larger. The tails would just be spread open more at the front.
Total length: 44" from neck to longest point of the front hem, 20" from neck to the back hem

Modern Sizing Equivalent: SML-MED

Item# DD5284

Reference Photos/Video: (1-6) Spring 1993 Versace.  /  (6) Angelika Kallio for Spring 1993 Gianni Versace Miami Collection Lookbook.  /  (7) Backstage at Versace, 1993.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Spring 2007 collection and it is a version of the blue dress that walk the runway for look 14.
• It was made under the creative direction of Roberto Cavalli.
• Rihanna wore its twin to the 2007 Grammys which is an amazing reference for you to be able to see what this looks like on the body.
• It is absolutely beautiful with its intricate pleating that runs over the entire dress. I love how the pleats are set in different directions to pick up on and highlight the cut of the dress.
• It is made out of a light silk chiffon done in the prettiest soft green colour. It feels more of a pastel green in person than how it shot here.
• The front panel is set to run across the body with all of the pleating done on an angle to follow the line of the neck line and of the bottom of the panel that wraps around the waist. Where your arm slips through there is a wide band of green silk that circles over the shoulder and around the arm.
• A second panel extends out from the side of the waist and curves across the back to meet the opening for the arm. This leaves large portions of bare skin showing all the way down one side and above and below the panel of the back. It is very sexy.
• The skirt and waist have a band of the same solid green used around the arm. The band is meant to sit a bit low slung on the hip and you can see that in the photos of Rihanna on the red carpet. If you wear it higher up the top will blouse over more.
• There is a light line of tiny stitching that runs across the lower part of the front of the bodice. This is done so the silk doesn't sit way off the body if you chose to wear the waistline up higher and it blouses over. It is a brilliantly thought out technical detail. 
• There is an incredible amount of fabric in the skirt and the long vertical pleats help it to flare out. The lightness of the silk chiffon combined with the bounce of the pleat creates amazing movement when you walk.
• The bodice is lined in a green silk and there is a built-in bottom part of a bodysuit that sits just inside and under the waist band. It hooks to close and helps hold the dress in place. The skirt is lined in a matching green silk chiffon. It closes with a hidden set back zipper and you just slip your arm through the circle at the side of the top. 
• Tagged a vintage Cavalli 42
• Excellent condition

Bust: the front panel covers 14-16" flat across with no true side seams
Waist: 17" flat across from side seam to side seam and meant to sit at the top of the hip
Hips: open
Bodice: approx 21" from the top of the shoulder to the top of the waistband
Total Length: approx 65" from top of the shoulder to hem 

Modern Sizing Equivalent: XS-SML

Item# DD5402

Reference Photos/Video: (1-4) Spring 2007 Roberto Cavalli, Look 14. Model Jessica Stam.  /  (5-7) Rihanna, in Roberto Cavalli, at the 2007 Grammys.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway as Look 54 for the Fall 2001 Versace show.
• It was made under the creative direction of Donatella Versace.
• In the show notes, Donatella said "above all a woman must dress to please herself". In the book Versace Catwalk they noted that the collection "evoked a hedonistic pop culture moment – late 1970s? Early 1980s? – that was picked up throughout the collection and expanded upon by Steven Mizell when he photographed the advertising campaign in the Playboy mansion."
• Vogue stated that many of the looks played on what she had just done in her Couture collection "fitted hips and corseted waist lines were all the core of her collection"
• This dress was shown with a wide heavy belt on the runway and I actually think it is better without one.
• The dress is made out of a soft sueded feeling bias cut silk with extensive seamwork. Top stitching details the seams and the entire back panel of the dress, all a heavy nod to the 1920s and 1930s.
• At the front the dress comes down into a V and I love how the seam extends out from that V and falls on an angle to the side of the waist. The bias cut allows the dress to skim loosely over you in the most perfect way.
• When the dress is worn without a belt it has shaped from how the back is constructed but has a more skimming and easy feel as it falls over the waist. More of the seamwork defines the angle panels that create the dress from under the bust to past the hips.
• The dress curves out and over the hips and then it is brought in slightly by the final angled seam set just above the lower skirts.
• The skirt is phenomenal. It widens out substantially and on one side there is a curved inset panel that adds even more volume. This gives it tremendous movement and volume when you move.
• The back panel is phenomenal. This is where the dress really stands out. The sides of the front curve around and down into the low back and then the shaped panel falls over your back and into the top of the hip.
• The panel is extensively top stitched which adds structure and shape to it. It is incredibly sexy.
• I think this dress is absolutely phenomenal.
• The dress is fully lined in a second, fully stitched inner layer of the same silk and it backs the entire dress. It closes with a hidden set zipper that runs along a side seam at the back. Some small areas here in there in the fabric have faded slightly. This gives it a slightly antique feel. I see a very faint mark on the back hip near the side and some slight loosening of the stitches in one spot. Please see the photos after the label. It is perfectly wearable as is and priced accordingly.
• Labelled a vintage Versace 40
• Great condition

Bust: 16-18" flat across from side seam to side seam
Waist: 13-14.5" flat across from side seam to side seam
Hips: 17-19" flat across from side seam to side seam
Total length: 63" from top of shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD5402

Reference Photos/Video: Fall 2001 Versace, Look 54. Model Hannelore Knuts.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this set was Look 10 on the Fall 2003 runway.
• It was made under the creative direction of Tom Ford.
• We have included runway photos and video for you to see how beautifully this moves once on the body. In Vogue's review of the show they said that "This season every major designer is talking about creating a "beauty" strong enough to defy our anxious times. Backstage that was the word Tom Ford used to characterize his Fall collection for Gucci—a collection in which beauty was personified as a power vixen extravagantly armoured to face down a troubled world" The evening pieces were mentioned specifically "For evening, there were gowns constructed with cutout zones of sparkling mesh and frilled bra tops; others snaked to the floor, held in place with complex asymmetric straps crossing the torso and shoulders. If Ford is treading the territory mapped out by Thierry Mugler and Azzedine Alaïa in the ’80s, it’s no surprise. Much of fashion is heading in that direction >anyway, and Ford, after all, bases Gucci’s entire brand proposition on finding new ways of upping the ante on sex season after season."
• This is a dress from one of the most incredible eras of Gucci.
• I love that this dress is the twin of the colour chosen to walk the runway and that it has it's corset belt. The belts were sold separately but this listing is for both pieces together.
• My client who is the original owner, verified that this colour of dress was only sold in a limited amount of Gucci shops and that they were produced in lower quantities, making it a more rare find. These usually do not have the matching corset belt since it was sold separately or they are in the all black colour that was sold and produced in greater quantities for retail.
  
• The dress is made out of a silk blend that allows the silk to stretch and give.
• The fabric is as light as air and that incredible stretch allows it to conform to your every curve and helps to create curves.
• The neckline is meant to sit lower on the chest and it sits wide across the front. You can see that on the runway.
• The sleeves are long and simple so that the seaming detail on the dress can stand out. The silk is gathered up and over the edge of the neckline in soft folds and then below that is the incredible seaming that shapes the dress around the body.
• The seam work that he did for his time at Gucci was an integral part of his design philosophy. The seaming acted like embellishments, shaping the pieces and giving them added detailing.
• The waist is seamed and it curves down and over the hips with insets there to hold and emphasize the shape.
• The skirt falls under that, following the curve of the body with just a slight flare out at the back hem. At the back the seaming curves around from that waist area and curves underneath your bottom. The silk is gathered in along those curved seams to create ruching and there is a panel built inside where they meet just above the hem to give added structure and support. 
• The corset goes over top of that and it is made out of a thick stretch fabric that has an almost neoprene feel to it. It velcros into place at the front and then straps wrap around you and buckle into place to cinch you in.
• This is a true stand out piece from Tom Ford's reign at Gucci and it is also incredibly sexy.
• Unlined and closes at the back with a hidden set zipper. The belt has Velcro at the front and then buckles to close over that. Both pieces appear to have been worn very little if at all. The dress has its inner fabric tag with the Gucci name on it only. The fabric does have stretch and the measurements below are the comfortable range laying flat.
• The belt is tagged a size 40.
• Excellent condition.

Dress
Sleeves: approx 28" and they are 12-15" around the upper arm
Shoulders: no defined seam
Bust: 15-17.5" flat across from side seam to side seam
Waist: 12-15" flat across from side seam to side seam
Hips: 18-20" flat across from side seam to side seam
Total length: 40" from top of shoulder to front hem, 43" to the back hem

Corset Belt
6" high at its skinniest point and 9" at its widest. It is approx 26-30" end to end 

Modern Sizing Equivalent: XS-MED

Item# DD5399

Reference Photos/Video: (1-3) Fall 2003 Gucci, Look 10. Model Mariacarla Boscono.  /  (4) Yasmine Warsame in Gucci for Amica Magazine, October 2003.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress was Look 44 for the Fall 2002 McQueen show that was title Supercalifragilistic-Expialidocious, taken from Mary Poppins.
• It was made under the creative direction of Alexander McQueen
• Vogue noted the 'Milkmaid necklines—far from innocent-were pushed up by leather bodices that curved down into the tightest pencil skirts, and finished off with thigh-high leather boots. McQueen moved from that Helmut Newton-esque fantasy to another—bad schoolgirls, who mixed lingerie and silver lamé ties and skirts in with their proper blazers and duffels. For a splendid finale, he brought out romantic flouncy skirts'
• This is a very rare piece of McQueen and  it is just exceptional. It is an absolutely iconic collectors piece.
• The top is a top-stitched formed and shaped corset that has inner boning and made to be shaped around the body. It is constructed from several shaped and formed pieces of what looks to be like a black denim that is top stitched and then pieced together to shape and create the form around the body.
• It closes down the front with metal lingerie hooks and then it has a belt through which a leather belt goes around the waist. That sense of leather is picked up again in the straps. The straps are very clever and they can be removed if you wish to wear this as a strapless piece. They button into place and the buttons are metal with the Q and C made as part of the button. A ruffled and pleated cotton bit comes out at the sides and the ruffled lace across the top of the neckline. This is done to help keep the illusion that you have put a corset over a little cotton mini.
• This illusion continues with the skirt coming out from underneath the corset. It is attached all inside the corset and is made out of two layers of cotton with lace finishing the bottom. This has all been pleated so you get this fantastic movement.
• It is ultralight in weight and it is a truly phenomenal piece of McQueen.
• The inside front of the skirt is elastic so you just slip this dress on and then hook it down the front to wear. I see a tiny little bit of fading to the dye near a couple edges of the seam of the skirt, but with McQueen pieces, these little flaws were often intentional and it certainly does not distract from the dress whatsoever. Some of the leather has rubbed off a touch on the back side of the belt in one spot. This is very minor and it is just mentioned for accuracy
  
• Tagged a vintage McQueen 38.
• Excellent condition

Bust: 16" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: open
Total length: 29" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD5401

Reference Photos/Video: Fall 2002 Alexander McQueen, Look 44. Model Adriana Lima.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Fall 2005 Galliano collection
• It was made under the creative direction of John Galliano.
• The dress is a little work of art that not only combines his signature bias cut but is also made from a soft bias cut velvet that drapes beautifully over the body.
• The front is cut into a V and is caught up into a twisted knot detail at the base of the V. This creates a pretty draping over the bust area as the velvet is all gathered into that knot. The seam under the bust angles down towards the sides in a nod to the seamwork of the 1920s and 30s, something you see often in Galliano's work.
• At the back that same low V is repeated so that you get a bit of skin showing there. This front and back plunge perfectly offset the sensuality of the velvet..
• From there the dress glides over the waist and curves back out over hips. It falls to the floor and widens out near the hem. With all of the fabric cut on the bias this moves beautifully around you as you move. This superb silhouette is a signature of his work and it is done beautifully on this dress. 
• The colour of the velvet is this deep gold that has a slight antique feel to it. I love the way that it catches the light. Even in these photos you can see how magical the effect of that is and when it is on and you are moving it will be even better.
• The dresses that Galliano does with fabric cut on the bias are outstanding and the velvets like this one are even more so.
• The dress is unlined and has no closures. It slips over the head and then it just drapes perfectly around your curves. The bias cut will allow for range of fit so I have put the comfortable range of measurements below with the dress laying flat. The dress has lost its main Galliano tag but has its proper inside tag inside as shown. I see a tiny spot near the hem where it looks like the velvet is scuffed a touch. It is very minor and just mentioned for accuracy. Otherwise appears to have been worn very little at all.
• Tagged a vintage Galliano FR38, GB10, US4
  
• Excellent condition

Bust: 17-20" flat across from side seam to side seam
Waist: 12.5-16" flat across from side seam to side seam
Hips: 17-22" flat across from side seam to side seam
Total length: 69" from top of shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD5395

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.