• The twin of this dress that was shown over a nude stretch top and walked the runway for Look 80 in the Fall 2016 collection.
• It was made under the creative direction of Pierpaolo Piccioli.
• It was also featured in an editorial for Marie Claire Spain that season.
• The entire dress is made from a pale nude tulle netting that has just a hint of a pink undertone to it. It is lined in a matching silk so that is so opaque enough to wear. That lining could be removed if you preferred a full transparent feel.
• Scattered over the tulle are silver sequins that each have a tiny clear bead topping the sequin. These catch the light from every angle.
• The dress is suspended from tiny net straps that curve up and over each shoulder. The front scoops across and the upper back is left bare and exposed.
• A ruffled panel of the netting is attached all the way around the neck line and as it curves towards the back it gets wider so that it drapes down the sides and just past the waist at the back. This adds a pretty feminine and airy feel to the dress.
• The waist is seamed to nip in and the skirt is full and easy over the hips. It is very wide and full by the time it reaches the hem. Under the top layer of netting are three additional netted layers. The layer in the middle of those three has a double hem and all of this built in under-skirting helps to hold the volume and give the skirt its structure and shape. A final opaque layer in silk sits against your skin.
• The dress is fully lined in a matching silk and closes with hidden set back zipper. It appears to have been worn very little if at all.
• Tagged a modern Valentino 40
• Excellent condition
  

Bust: 16-17.5" flat across from side seam to side seam
Waist: 13-14" flat across from side seam to side seam
Hips: open
Bodice: 15.5" from top of shoulder to waist
Total length: 58" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5357

Reference Photos/Video: (1-3) Fall 2016 Valentino, Look 80.  /  (4) Marie Claire Spain, October 2016.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This stunning Valentino wedding dress is new with tags and was never worn. It is beautifully made.
• The wedding collections are not as well documented as the regular collections so dating them is a little trickier but this is most likely from the late 2010s.
• It is a beyond gorgeous for the bride looking to make a chic and elegant statement.
• This is a stunning dress. Tiny matching silk straps curved up and over each shoulder. It is cut fairly straight across the neck line and skims over the bust to the waist in a simple silhouette that has the perfect classic feel to it.
• Centred and tacked into place at the front of the bodice is a large flat bow that is made out of the same silk. I love the nod to the 1950s that this gives the dress while still staying thoroughly modern in feel.
• From there the skirt falls to the floor and widens out dramatically as it nears the hem. For the majority of these photos I have added a light crinoline underneath so that you could see how full the skirt is. We also shot it with no crinoline underneath so you can see how it naturally falls. I think that if you wanted it to be even fuller you could easily achieve that by adding a very full underskirt.
• The skirt is a work of art. It is done in an incredible 23 layers of ruffled bands of the same silk alternated with a lace in a matching colour. I love that this gives it an almost petticoat feel that is purposefully meant to be seen.
• Each stacked band of either the silk or lace gradually gets fuller around as they near the floor and this is what creates the volume of the skirt that you see.
• All of that volume gives you incredible movement while still maintaining structure so the general shape and fullness of the skirt is not lost when you move. The way this moves around you is magical.
  
• The dress is fully lined in a matching silk and closes with a hidden set side zipper. It has its original hang tag attached.
• Tagged a Valentino 44
• Excellent condition

Bust: to 17" flat across from side seam to side seam
Waist: 14.25" flat across from side seam to side seam
Hips:to 23" flat across from side seam to side seam
Bodice: 15.5" from top of the bodice to the seam of the inner waist
Total length: 61" from the top of the shoulder to the hem

Modern Sizing Equivalent: SML-MED

Item# DD5334

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This gorgeous dress is one that was made for the shops and I believe is from the early 2010s.
• It was made under the creative direction of both Maria Grazia Chiuri and Pierpaolo Piccioli. 
• Even with only the dress form shot it is so gorgeous. It is not hard to imagine just how beautifully this one will be on the body and how it moves. 
  
• The base of the dress is made from stocking layers of silk chiffon and silk done in a deep pewter-silver colour. It is then heavily embellished from top to toe. The embellishments give it some weight but the silk layers underneath keep it from being too heavy once on the body. 
• The dress is suspended by two straps that curve up and over the shoulders. The front neckline is scooped. At the back we see another scoop and there it is softened by a draping layer of embellished silk chiffon that falls softly over the scoop. 
• Vertical lines of clear beads with silver applied to their centres are applied over the bodice. The beading is done in different sizes and mixed in with tiny silver sequins. These stop at the seam under the bust. At the back the bead work is applied more on an angle all the way up to the edge of the silk chiffon draped panel there.
• A heavy band of glass crystal rhinestones sit just under the seam where the bust ends. These top a 3.5" expense of a double layer of netting that is embellished with a diamond pattern done and silver metal thread. Little clear beads top where each intersection happens within the pattern. This panel is transparent so you get a glimpse of skin underneath. Where the panel ends there is a second wide band of the glass crystal rhinestones. All of the rhinestones are prom set, and this would all had to have been applied by hand.
  
• The skirt falls from under there, curving over the hips and widening out to a pretty fullness by the time it reaches the hem. The skirt has three full layers of silk in its construction, and I love that the back is cut longer than the front. This gives you a beautiful slight sweeping feel, and picks up on that pretty drape at the back. It is fantastic.
• The dress is fully lined in a marching silk behind the bodice. The panel at the waist is transparent. The skirt is made of three layers of silk and silk chiffon. The dress closes with a hidden set side zipper. There is perhaps the tiniest bit of grubbiness along the very edge of the arms. It is extremely minor but mentioned for accuracy.
• There is no size tag present so please go by the measurements listed below
• Excellent condition

Bust: 16-16.5" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: to 17.5" flat across from side seam to side seam
Bodice: 11" to the seam under the bust and 15" from the top of the shoulder to the bottom seam of the waist.
Total length: 58" from top of shoulder to front hem and the back extends another 6.5" past that

Modern Sizing Equivalent: XS-SML

Item# DD5248

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress was shown for Look 70 of the resort 2017 Valentino collection.
• It was made under the creative direction of Pierpaolo Piccioli & Maria Grazia Chiuri.
• This ended up being the final collection that Maria worked on for the Valentino label.
• The inspiration behind the collection was Cuba and the looks were rife with embroidery and print. Piccioli remarked that "It gave us a real freedom to mix, like a souvenir, lots of pieces together."
• The dress has the added provenance of being the twin of the dress worn by Natalie Portman that year on the red carpet. She wore it beautifully and it shows you just how spectacular the dress is once on the body.
• The dress is made out of a light weight, more open weave black net that sits over a black silk chiffon lining to make it opaque enough to wear. Onto that is a stark white embroidery that forms a beautiful pattern over the entire dress.
• The neckline is set wide across so that it sits at the edges of the shoulders. If you are not very broad across the shoulders you should be able to wear it fully off the shoulder. The dress form shows it fully off the shoulder. The collection photo shows it at the very edge and then Natalie chose to wear it a little higher up. I love that this let you see all of the options.
• A wide 9" ruffle follows the entire neckline and gives it the prettiest flounce all the way around you.
• Under that the bodice skims down to the seamed waist and then the skirt is smoothly set into the waist. From there the skirt expands outwards and by the time it reaches the hem it has an amazing amount of volume. The back is cut slightly longer than the front so you get a beautiful sweep.
• The the hem of the skirt has a ruffle that picks up on the one around the shoulders and that ruffle is a full 13" wide. Underneath the top layer is two more layers of black netting that sit between the top skirt and the inner silk chiffon lining. I love how this added touch of underskirts along with the beautiful cut of the skirt adds to the volume and detail of the skirt. It also gives you fantastic movement when you move.
  
• This is an absolutely stunning dress and this particular cut of dress is one of my favourites. 
• The dress is fully lined in a black silk chiffon with extra layers of netting through the skirt as described above. It closes with a hidden set back zipper. It appears to have been worn very little if at all.
• Tagged a modern Valentino 38
• Excellent condition
  

Bust: 17-19" flat across from side seam to side seam
Waist: 13-14" flat across from side seam to side seam
Hips: open
Bodice: 14.5" from the top of the shoulder to waist
Total length: 60" from top of shoulder to the front hem, 64" to the longest point of the back hem.

Modern Sizing Equivalent: SML-MED

Item# DD5312

Reference Photos: (1) Resort 2017 Valentino, Look 70.  /  (2-4) Natalie Portman at the Premiere of Jackie, Venice Film Festival 2016.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway in the Spring 2003 show for Look 64
• It was made under the creative direction of the original Mr. Valentino
• It was the only dress shown in this entire collection that season that was done in his signature Valentino red. So when you look through the collection photos it really stands out.
• The show was a huge success and Vogue especially loved the evening pieces; "For the evening review, it gets even better. Valentino's communiqués from his couture collection show up as delicate metallic-embroidered chiffons made into fragile capes, cardigans or dresses. And for the grand occasion, there's a full battalion of the designer's fabulous signature chiffon gowns." 
• The dress is suspended from the shoulders by two tiny straps in the same red silk. The bodice is seamed just under the breasts and have minimal darting. 
  
• It skims over the waist and hips and then from there it falls to the floor in a beautiful column of the red silk crepe that flares out slightly as it nears the hem.
• The back of the dress is cut slightly longer so you have a beautiful bit of a sweep behind you as you walk.
• Two panels of silk chiffon wrap around the waist area to add detail and shape to the dress. The panels are attached all the way around and then loop through openings at the front of the dress. The ties are cut extra long and fall to just above the hem at the front of the dress. These not only add beautiful detailing to the dress but also create amazing movement as you move.
• The top panel of the bodice is lined in a red silk and the rest of the dress is unlined. It  closes with a hidden set side zipper. I see a touch of grubbiness here and there around the hem but it is very minor 
  
• Tagged a vintage Valentino 10.
• Excellent condition

Bust: 17-17.5" flat across from side seam to side seam with a A-B cup
Seam under the bust: to 17" flat across from side seam to side seam
Waist: 14-16" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: just under 4" from top of bodice to seam under the bust at the middle and it is 10" from the top of the strap to the seam under the bust
Total length: 61" from top of shoulders to front hem, 63" to the back hem. 

Modern Sizing Equivalent: SML-MED

Item# DD5306

Reference Photos/Video: Spring 2003 Valentino, Look 64.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this incredible dress walked the runway for the Spring 1991 collection.
• It was made under the original Mr. Valentino.
• I love that we have runway photos and video so that you can see how phenomenal this is once on the body. 
• Interestingly, for the Resort 2026 Valentino collection, we saw a version of the dress produced in a chiffon.
• This is just a really exceptional and rare dress that is a fantastic example of the work he was doing during this time period.
• The dress is made out of silk crepe that has a touch of texture to it. That fabric and it's pretty pastel colours make for a beautiful combination.
• The bodice is strapless and curves at the top. An almost bathing suit top feeling bandeau is caught up in a matching coloured fabric knot at its centre. A second knot gathers in the panel of fabric that runs just above the waist.
• This leaves a large open cut out at the front. At the back the fabric is gathered into a centre vertical seam with a second smaller open cut out mid back.
• The waist is seamed and the skirt is gathered into that all the way around. This allows the skirt to have a little bit of fullness as it falls to the floor. At the back of the skirt there is extra fabric so you have a little bit of kick as you walk.
• Once the dress is on you do not see the lining but I love that it is a brighter pastel grass green. It is like a little secret that only the person wearing it knows about.
• The dress is fully lined with handset silk through the bodice and the skirt is unlined. There is light boning through the bodice. A waist stay hooks to close and the dress closes with a side zipper. The entire construction of the inner bodice appears to have been done by hand. There is perhaps the lightest bit of fading here and there but I am being extremely picky.
• Tagged a vintage Valentino 8
• Excellent condition

Bust: 16-17" flat across from side seam to side seam
Waist: to 13" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Bodice: 9" from top of bodice to waist
Total length: 51" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD5358

Reference Photos/Video: (1-3) Spring 1991 Valentino.  /  (4) Resort 2026 Valentino.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walk the runway for the Spring 1992 ODLR collection. 
  
• It was made under the creative direction of Oscar de la Renta.
• This was an incredible collection filled with beautiful things and I am very pleased to have a second dress from it in the shop at the moment after just listing that full length lace dress recently.
• The dress is made out of a black silk organza that has a woven effect so that it has a slight transparency and almost the feel of a netting. 
• The neckline is set wide across so that it sits off of the shoulders it's a bit of a elastic around the part that goes around your arm for comfort. You can also choose to wear it more up and on the shoulder. A wide 5" ruffle follows the entire neckline and gives it the prettiest flounce all the way around you.
• Under that the bodice skims down, curves in a touch at the natural waist, and then curves back down to a seam that sits at the top of the hip. If you wanted to add more shape, it would be easy to add a belt.
• The skirt is created by stocking ruffles that overlap each other all the way down to the hem. They get progressively wider as they go down the length of the skirt and this is what gives the skirt its incredible volume. 
• The skirt falls shorter at the front and then the back is quite a bit longer. I love how this adds to the volume and detail of the skirt and still allows for a flash of leg to show. At the front there are six layers of ruffles and at the back there are ten. That, combined with the lightness of the fabric, gives you fantastic movement when you move. You can see this in the reference runway video.
  
• This is an absolutely stunning dress and this particular cut of dress is one of my favourites. .
• The dress is fully lined in a black silk with a built-in inner bodice that is lightly boned for support. The inner bodice closes with its own zipper. A waist stay hooks to close. Over that the dress closes with a hidden set back zipper. It appears to have been worn very little if at all.
• Tagged a vintage ODLR 8
• Excellent condition

Bust: to 18" flat across from side seam to side seam
Natural waist: to 14" flat across from side seam to side seam
Seam at top of hips: to 17.5" flat across from side seam to side seam and the skirt is open under that
Bodice: 19.5" from top of the natural shoulder to the dropped seam at top of hips.
Total length: 35" from top of the natural shoulder to front hem and the back extends another 17"

Modern Sizing Equivalent: SML-MED

Item# DD5350

Reference Photo/Video: Spring 1992 Oscar de la Renta.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of the suit along with several variations of it, walked the runway for the Spring 1994 Chanel show.
• It was made under the creative direction of Karl Lagerfeld.
• The show opened with an entire series of these suits done in a rainbow of pastel colours and shown on some of the top supermodels of the day. The twin of the suit appears in the runway reference video and we have added some still shots of it and the video here for you to see. We have also added some reference shots of some of the other suits just to give you a better idea of how this will sit once on the body.
• Vogue featured the collection that year and in 2014 Rihanna wore a version.
• These mini skirted versions of the classic Chanel suit, using unusual elements like this one has, are one of the keystone moments that made Chanel under Karl the global powerhouse that it is today.
• Both pieces are made out of a classic Chanel pink tweed with a nubby finish. The colour is slightly more pastel in person than how it photographed here.
• The jacket is extraordinary. It zips to close up the back so there is no closure at the front to break the eye. The shoulders are shaped with very light padding and the sleeves are long. It is cut with a slight nod to the box shape through the body but curves in for shape around the waist.
• What really makes these suits extraordinary is the way that he finished all of the edges. They are done in pastel blue, yellow, and pink vinyl cording that has the feel of a skinnier version of an old telephone cord but without the twist. These have been hand stitched into place to create the gorgeous pattern that you see. The bows are backed in a pink grograin ribbon to give them shape and structure. Where they are placed directly on the Chanel boucle there is no backing so that the fabric acts as the pink seen in between the cord.
• The cording pattern circles around the collar and runs down the centre to a flat bow with the ends of the vinyl tied and knotted so that you have a dangling fringe under each end of the bow. More cording circles around the cuff and you see another flat bow placed on the outside portion of each cuff.
• The skirt is cut short in a mini. The upper part of the skirt is slightly padded inside and is made out of a pastel pink silk. It s the same silk that he used for the lining of the jacket. Both the lining in the jacket and this top portion of the skirt have tiny little double Cs embroidered into the silk. Under that the skirt flares out slightly to the hem.
• Around the entire bottom edge of the skirt is another banding of that same telephone cord piping. This perfectly ties the top and skirt together.
• It is this use of unusual finishes that really showcase Karl's genius and while at the same time helped to modernize the house and appeal to a younger audience.
• This is an extremely rare Chanel set and I am very pleased to have it in the shop.
• Both pieces are lined in a double C embossed pink silk. The jacket closes at the back with a zipper and a loop & button at the top of the back neck. The skirt closes with a hidden set back zipper & hook an eye at the waist. There is some discoloration underneath the inner arms of the lining of this jacket but it does not go through to the front. It is in stunning condition otherwise.
• Both pieces are tagged a vintage Chanel 40
• Excellent condition with one note above

Jacket
Sleeves: 23" and are 13" around the upper arm
Shoulders: 15"
Bust: 17.5" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Total length: 22" from neck to hem

Skirt
Waist: 13.5" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Total length: 17" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5341

Reference Photos/Video: (1-4) Spring 1994 Chanel Runway.  /  (5-6) Photographed by Steven Meisel for Vogue, March 1994.  /  (7) Rihanna in Vintage Chanel for Good Morning America, 2014.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is an absolutely incredible piece that dates to the Spring 1992 collection. 
  
• It was made under the creative direction of Oscar de la Renta.
• We have not yet found a photo from the collection of this exact dress but we did find a shorter version that has the exact same top. 
• This might be one of my favourite dresses I have had in the shop. The photos do not do it full justice and it is only when you see it in person that you realize just how beautiful it is.
• The dress is made out of a fine black lace. The lace completely covers the dress and there are many, many yards of lace that have gone into making this dress.
• There a built-in inner fitted bodice that is strapless and is meant to be seen through the outer layer of lace. This inner layer is lined in a black tissue silk and is lightly boned for support. Lace covers this inner bodice and extends out to form the little cap sleeves. 
  
• At the back the inner corset scoops down into a low V with a single layer of lace over the upper back. This makes it feel very elegant but still very sexy.
• I love the play on transparency that the upper portion of the dress has.
• The waist nips in and then the dress glides over the hips to fall to the floor in a wide expanse of silk and lace. The fullness of the skirt is absolutely incredible and again there is a strong play on transparency with all of the layers that make up the skirt.
• Under the top lace layer of the skirt are three layers of silk organza. Two black silk layers sit directly under the top lace and then the final innermost layer is a silk chiffon. The two innermost layers both have wide bands of stiffening around the hem and the layer that sits directly under the lace has three stacked stiffened bands going up the skirt. This is what helps to hold the incredible shape and volume that you see.
• The skirt is extremely full and has many yards of lace in its construction. The volume that you see was all created by the sheer amount of fabric, the cut and the seven lace tiers that run over the entire lower portion of the skirt.
• I love the tiers of lace that cover the lower part of the skirt. Each is set to slightly overlap the next one down. No expense was spared on the lace in the dress. Even the area between the tiers have been finished with lace despite that fact that you cannot see them. Each tier has lace that is set so that the edges are scalloped to follow the pattern in the lace. I took a photo where I hold the skirt up on one side and this will give you an idea of the amount of yardage the skirt has. It is incredible.
• The inner construction of this dress is as good as the exterior and it is made to a demi-couture level with hand finishes throughout.
  
• The dress closes with a back zipper where the inner corset starts. The neck hooks to close and there is a keyhole between the top of the neck and the zipper. It is lightly boned through the bodice. An inner waist stay hooks to close. It appears to have been worn very little if at all.
• There is no there is no size tag present so please go by the measurements listed below.
• Excellent condition

Sleeves: are 10" around the opening for the arm
Shoulders: no true seams
Inner bust: to 16" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Inner hips: to 21" flat across from side seam to side seam
Bodice: 15.5" from top of shoulder to waist
Total length: 64" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD5337

Reference Video: Spring 1992 Oscar de la Renta.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is an absolutely fantastic and ultra rare piece from the Spring 1993 Versace collection.
• It was made under the creative direction of Gianni Versace.
• Similar pieces was seen on the runway worn by Linda Evangelista, versions were shot for Italian Vogue and used for various editorials that season.
• This collection was an homage to South Beach, a place that Gianni absolutely loved. In 1991 he bought Casa Casuarina, a mansion on Ocean Drive. Two years and $30 million later it was a lavish palazzo. But before that completed, he created this spring 1993 show as a love letter to South Beach. Little Havana was referenced in the amazing bell bottom pieces and floral printed silks, both of which are found on this jumpsuit. 
• The jumpsuit is made out of a black and white floral printed silk that has a beautifully soft finish to it which makes it very comfortable and easy to wear once on the body.
• A wide 5" band of the floral printed silk is mixed with a second ruffle made out of a black and white dotted silk. This gorgeous double layer of ruffles circles around the shoulders with a silk covered elastic band that lets it sit perfectly in place on you. I I love the bare expanse of skin this leaves showing across the top of the shoulders. As good as it looks on the dress form it will be even better once it is on a body.
• The body of the jumpsuit skims over you and its cut is shaped to follow your curves. Depending on your preference and size, it can be worn super fitted or have more of a skimming feel over you.
• All of the shape over the bust, waist and hips is created by long vertical seaming. The waist curves to come in for shape and then the silk curves back out over the hips.
• The pants are phenomenal. Each one has a fairly straight leg to about the knee. At that point there is a curving seam that wraps around the waist and into that the bottom of the pant leg has been added. The fabric is done in an extra full flare to create that fantastic bell bottom that you see. It is made out of two layers of silk. There is an inner dotted layer that extends out past the hem and then the floral printed layer over that. When you lay it out each bell bottom is a full 52" all the way around. I love how the dotted fabric peeks out from below the hem and ties the dotted fabric on the ruffle around the shoulders together perfectly.
• The extreme bell shape of the lower pant legs creates phenomenal movement when you move but because the silk fabric is so light and fine they have the perfect amount of fullness when you stand still.
• The jumpsuit is unlined and closes with a back zipper. It appears to have been worn very little if at all.
• Tagged a vintage Versace 40
• Excellent condition

Elastic shoulders: 19-23" flat across side to side
Bust: 16-18" flat across from side seam to side seam
Waist: 13-14" flat across from side seam to side seam
Hips: 18-19" flat across from side seam to side seam
Total length: 60.5" from top of natural shoulder to hem
Inseam: 29" 
Gusset: 27" from the top of the zipper to inner seam

Modern Sizing Equivalent: XS-MED

Item# DD5314

Reference Photos/Video: (1-3) Linda Evangelista for Versace, Spring 1993.  /  (4) Spring 1993 Versace. Model Angelika Kallio.  /  (5) Backstage at Versace, 1993.  /  (6) Photo by Steven Meisel for Vogue Italia March 1993.  /  (7-8) From the book "Versace: Catwalk".

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.