• The twin of this extraordinary dress walked the Fall 2011 Vauthier Haute Couture runway.
• It was made under the creative direction of Alexandre Vauthier
• Alexandre Vauthier launched his label in 2009. He started his fashion career in 1993 working for Thierry Mugler as an intern and working his way up to assistant designer to Mugler himself. In 1997 he joined Jean Paul Gaultier where he in charge of the Couture collections for the following eight years. 
• He left in 2008 to open his own couture atelier showing his first collection in 2009. From 2011 to 2014 the label was a designated guest member of the Chambre Syndicale de haute couture and since December 2014 he has been a full Couture member. Vauthier departed the label in 2025 it was acquired by Revolve marking the end of the Couture division.
• This is the actual piece that was shown on the runway and may very well be the only one in existence. I love that we have both the runway reference photos and video. You can see how fantastically it moves and looks once on the body.
• The dress is made from a red silk chiffon that has an extensive and very dense application of red bead work hand applied onto it.
• Every line of the dress has been precisely cut and patterned so that it falls perfectly in the lines that he intended it to be shaped in. 
• The shoulders are soft and extend into long cut sleeves that are also completely and densely beaded to match the body of the dress. In the runway photo the shoulders look slightly more shaped than the dress in person to me and I think that they may have added temporary padding to style it for the show. Adding your own is a decision that could be made once you have it in hand and try it on.
• The dress is cut to skim over the body and highlight it everywhere. The sleeves are cut a little extra long so that once on the arm they bunch up a touch. There is a cut out. opening that is left under each arm. I have photoed that so that you can see. This was probably done not only as a design choice but to allow movement and not have to worry about the bead work being constricted.
• The neckline is scooped and the dress is shaped to come in at the waist and then curves back out and around the hips so that it skims perfectly over the body. 
• The beadwork that sits over the sleeves and body of the dress has been done and a little sections that curve around each other and catch the light differently as you move. You can see in the video how this creates an almost flame like feel over you.
• The skirt is absolutely amazing. As the beads run down over the hips to join into the skirt they become these long flame like ribbons of bead work that extend into varying lengths down and into the skirt. The effect is absolutely beautiful and perfectly picks up on the way the beads were executed through the body of the dress.
• Under the beadwork, the skirt is made out of a red silk chiffon that is very light and weight. It curves slightly up at the front and then extends out into two angled points at the back which again feels like an extension of the flame motif that the dress has.
• You can see on the runway that once very bright lights hit the skirt, it has a sense of transparency to it. That is quite extraordinary and done to highlight the bead work and add a bit of sexiness to the dress despite it full coverage. At the back it trails out past the hem to float around you as you walk.
• The dress is amazing on the body and it is just a beautiful and very sexy dress and an extraordinary little piece of true Haute Couture fashion history.
• The upper portion of the dress is lined in a silk chiffon through the body and the skirt is unlined. It closes with a hidden set back zipper and each cuff closes with a hidden set zipper. This is the actual dress that was worn on the runway and is completely made by hand. It is the original runway sample dress. The beads have been hand sewn so closely to the edges of the zipper that you do have to take care when zipping and unzipping the dress as they can catch and you can see a little bit of catching of thread and perhaps the very occasional missing bead here and there along that edge. I am being pretty picky. This was done to give the illusion that the dress has no opening. Inside the silk chiffon that was used to line the dress is very delicate and there have been some repairs made. This was probably done after the runway show to strengthen parts of the inner lining and can be typical of runway samples. I also see a touch of a mark on one arm on the inner lining, a small tear and some repairs to the silk of the lining. None of this shows through but is mentioned for accuracy and is photoed after the label shot. Some of the seam work is handed basted and this adds to the feel that this is the original sample because that is often how you see runway samples finished.
• There is no size tag present because it is Haute couture sample so please go by the measurements listed below
• Excellent condition

Sleeves: 28" and they are 9.5" around the upper arm
Shoulders: 14"
Bust: 16-16.25" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Total length: 90" from neck to the very longest point at the back hem and the shortest point at the front fall to 49"

Modern Sizing Equivalent: XS-SML

Item# DD5463

Reference Photos/Video: Fall 2011 Alexandre Vauthier Haute Couture.

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