This stunning skirt was designed by Belgian-born Jules-Francois Crahay, who headed the Lanvin ateliers from 1964-1984. He has been noted as one of fashion’s 'great colorists with his colorful patterns making his 1970s Lanvin designs hugel​y ​desirable and influential.' His time at the Lanvin label is one of my personal favourites for the house. I especially love the his work during the period through the late sixties and into the early 1970s. He was a genius at print and colour and he pushed the envelope in terms of using cutting edge fabrics available during this time period. His use of print and colour is just outstanding. This skirt has a boutique label but also has the inner handwork, the seams especially, that denotes it to be made-to-measure special order piece that would be considered demi-couture.

This Lanvin skirt is utterly fantastic. I am in absolute love with it. The color, the crisp design, the workmanship - everything about it is perfection. The silk it is made out of is a fine silk twill which gives it the perfect touch of weight to hold the lines that you see. The pattern is screened onto that and combines florals and leaves running in horizontal rows across the skirt. The backdrop is a clear red and then greens, blues and soft pinks are layered over that to create the print that you see. A Crahay signature was to finish his hems with something that contrasted the prints that he used. Here we see that done a flat pleated deep green silk wide ribbon that is then finished with a black lace under that that picks up on parts of the design of a silk above. The bottom detail on his pieces were not only a beautiful visual addition to his work but also help to anchor and hold the fullness and shape that he desired. The skirt falls from the nipped in waist and gradually widens out to the hem. It is quite full. I did not photo it with any additional underskirts but if you wanted more fullness you could easily add one. Inside it has a full separate red underskirt detailed with black ribbon near its hem. The beauty of the color combination is equaled by the fine workmanship that has gone into constructing it. It is really a work of art and a very special piece. Excellent condition.

Fully lined in a red silk as noted above and closes with a painted metal zipper and a button at the waist. A combination of hand and machine finishes with all the internal vertical seams finished by hand. It appears to have been worn very little if at all.

Hips: open
Length: 37.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# S990

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress was designed by Belgian-born Jules-Francois Crahay, who headed the Lanvin ateliers from 1964-1984. He has been noted as one of fashion’s 'great colorists with his colorful patterns making his 1970s Lanvin designs hugel​y ​desirable and influential.' His time at the Lanvin label is one of my personal favourites for the house. I especially love the his work during the period through the late sixties and into the early 1970s. He was a genius at print and colour and he pushed the envelope in terms of using cutting edge fabrics available during this time period. This dress is from the early part of the 1970s and it is incredible. The Lanvin label is numbered and it is made to demi-couture standards. I love it.

This dress is incredibly beautiful in person. The camera really cannot do it justice. It is made from a fine blue silk tulle that has a floral pattern embroidered over its surface in the same blue. The entire dress is lined in a purple silk and this gives it this very unusual colour that lies somewhere between a deep blue and purple. A metallic gold thread was then embroidered over parts of the floral design. Around the entire lower skirt is a dense application of the gold with two wide panels completely covered in a open chain link design. These circle around the entire hem and lower skirt with more of the floral netting in between. The result is fantastic and I think in person the effect is far stronger then how it photoed. I love how the gold catches the light from every angle. The bodice skims over you and the sleeves are long. Each sleeve has a subtle poufed effect above its elastic cuff that would show more once on an actual body. The waist is seamed but cut more loose and easy. If you wanted a more defined shape you could easily add a ribbon or a belt. The skirt falls to the floor from there and widens out as it nears the hem.  Besides adding beautiful detail those added panels of gold at the hem also help to give just a touch of weight and help the skirt hold its volume and shape. It is very light in weight and just stunning. Far better person then the camera is doing it justice. The fabric has so much texture and the metallic bits pick up the light perfectly. Gorgeous. Excellent condition 

Fully lined in a purple silk chiffon through the top and a purple silk through the skirt. It closes with a back hand set zipper and there is elastic in each cuff. Hand finishes and hand finished inner seams mixed with machine work. The label is numbered. It looks to have been worn very little if at all. The bias cut of the lining and the net give it a little give so I have put the comfortable range of measurements where it will give a bit.

Sleeves: 26"
Shoulders: 14.5"
Bust: 17-19" flat across from side seam to side seam
Waist: 14-15" flat across from side seam to side seam
Hips: to 23" flat across from side seam to side seam
Bodice: 15" from shoulder to waist
Skirt: 43" from waist to hem

Modern Sizing Equivalent: XS-MED

Item# DD3925

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This stunning skirt was designed by Belgian-born Jules-Francois Crahay, who headed the Lanvin ateliers from 1964-1984. He has been noted as one of fashion’s 'great colorists with his colorful patterns making his 1970s Lanvin designs hugel​y ​desirable and influential.' His time at the Lanvin label is one of my personal favourites for the house. I especially love the his work during the period through the late sixties and into the early 1970s. He was a genius at print and colour and he pushed the envelope in terms of using cutting edge fabrics available during this time period. His use of print and colour is just outstanding. This skirt has a boutique label but also has the inner handwork, the seams especially, that denotes it to be made-to-measure special order piece that would be considered demi-couture.

This Lanvin skirt is utterly fantastic. I am in absolute love with it. The color, the crisp design, the workmanship - everything about it is perfection. The silk it is made out of is a fine silk twill which gives it the perfect touch of weight to hold the lines that you see. The pattern is screened onto that and combines florals and leaves running in horizontal rows across the skirt. The backdrop is a clear red and then greens, blues and soft pinks are layered over that to create the print that you see. A Crahay signature was to finish his hems with something that contrasted the prints that he used. Here we see that done a flat pleated deep green silk wide ribbon that is then finished with a black lace under that that picks up on parts of the design of a silk above. The bottom detail on his pieces were not only a beautiful visual addition to his work but also help to anchor and hold the fullness and shape that he desired. The skirt falls from the nipped in waist and gradually widens out to the hem. It is quite full. I did not photo it with any additional underskirts but if you wanted more fullness you could easily add one. Inside it has a full separate red underskirt detailed with black ribbon near its hem. The beauty of the color combination is equaled by the fine workmanship that has gone into constructing it. It is really a work of art and a very special piece. Excellent condition.

Fully lined in a red silk as noted above and closes with a painted metal zipper and a button at the waist. A combination of hand and machine finishes with all the internal vertical seams finished by hand. It appears to have been worn very little if at all.

Hips: open
Length: 37.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# S990

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress was designed by Belgian-born Jules-Francois Crahay, who headed the Lanvin ateliers from 1964-1984. He has been noted as one of fashion’s 'great colorists with his colorful patterns making his 1970s Lanvin designs hugel​y ​desirable and influential.' His time at the Lanvin label is one of my personal favourites for the house. I especially love the his work during the period through the late sixties and into the early 1970s. He was a genius at print and colour and he pushed the envelope in terms of using cutting edge fabrics available during this time period. This dress is from the early part of the 1970s and it is incredible. The Lanvin label is numbered and it is made to demi-couture standards. I love it.

This dress is incredibly beautiful in person. The camera really cannot do it justice. It is made from a fine blue silk tulle that has a floral pattern embroidered over its surface in the same blue. The entire dress is lined in a purple silk and this gives it this very unusual colour that lies somewhere between a deep blue and purple. A metallic gold thread was then embroidered over parts of the floral design. Around the entire lower skirt is a dense application of the gold with two wide panels completely covered in a open chain link design. These circle around the entire hem and lower skirt with more of the floral netting in between. The result is fantastic and I think in person the effect is far stronger then how it photoed. I love how the gold catches the light from every angle. The bodice skims over you and the sleeves are long. Each sleeve has a subtle poufed effect above its elastic cuff that would show more once on an actual body. The waist is seamed but cut more loose and easy. If you wanted a more defined shape you could easily add a ribbon or a belt. The skirt falls to the floor from there and widens out as it nears the hem.  Besides adding beautiful detail those added panels of gold at the hem also help to give just a touch of weight and help the skirt hold its volume and shape. It is very light in weight and just stunning. Far better person then the camera is doing it justice. The fabric has so much texture and the metallic bits pick up the light perfectly. Gorgeous. Excellent condition 

Fully lined in a purple silk chiffon through the top and a purple silk through the skirt. It closes with a back hand set zipper and there is elastic in each cuff. Hand finishes and hand finished inner seams mixed with machine work. The label is numbered. It looks to have been worn very little if at all. The bias cut of the lining and the net give it a little give so I have put the comfortable range of measurements where it will give a bit.

Sleeves: 26"
Shoulders: 14.5"
Bust: 17-19" flat across from side seam to side seam
Waist: 14-15" flat across from side seam to side seam
Hips: to 23" flat across from side seam to side seam
Bodice: 15" from shoulder to waist
Skirt: 43" from waist to hem

Modern Sizing Equivalent: XS-MED

Item# DD3925

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.